I first saw this piece by Polish journalist Ryszard Kapuscinski in Jonathan Miller’s production for the Royal Court Theatre 28 years ago, though this appears to be a fresh adaptation by Colin Teevan. It featured Nabil Shaban, but I can’t remember whether he played all of the characters, as Kathryn Hunter does here – well, apart from a few mute or non-English speaking parts given to the onstage musician, whose wonderful music is one of the best things about this lovely production.
The play tells the story of the downfall of Ethiopia’s Emperor Haile Selassie, who ruled from 1930 to 1974, following a 14-year period as Regent. He was idiosyncratic, with a dubious human rights record, but was revered by many, including millions of Rastafarians who saw him as the new Messiah, a direct descendant from the bible’s King Solomon. Kapuscinski interviewed many of his retinue and interweaves their testimony to create an evocative picture of his despotic rule. Those interviewed include his valet, chauffeur & Minister of Information and more bizarre roles like keeper of his private zoo, pillow bearer and wiper of his lapdog’s urine!
Kathryn Hunter is mesmerising as she switches roles by moving to another part of the stage and adding a hat or epaulets or a cigarette. Temesgen Zeleke’s musical accompaniment is gorgeous, totally complimentary to the testimonies. In 65 minutes, you really do begin to understand the man, his power and his downfall.
A little gem you shouldn’t miss.
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