On the lists of writers and directors least likely to adapt a Georges (Maigret) Simenon psychological thriller, I’d put David Hare and Robert Icke pretty high, but that’s what we have here, and they’ve turned out a rather stylish, if slow, piece of staged film noir.
Simenon’s piece is a nicely plotted story of two couples caught in a storm returning from a society party in Connecticut to the Dodd’s home in the country. Don Dodd and Ray Sanders are old friends, both lawyers. Don is married to stay-at-home Ingrid and Ray to fellow party animal Mona. Ray doesn’t make it back, losing the other three before they make it to the house in a blizzard. His body is eventually found and the investigation concludes it was an accident. Don subsequently pays frequent visits to Mona Sanders New York apartment to help her with the estate and we see the true nature of their relationship, with a few more surprises to come.
It’s played out in a large number of scenes, mostly in the cosy Dodd home and the contrasting Sanders apartment, with flashbacks to the party. Black screens of different shapes and sizes close at various speeds like camera shutters in between scenes. It’s a superb design by Bunny Christie, but it really slows down the pace and you seem to be looking at black space too much of the time, with just a soundscape for company, making it a lot less thrilling than it should be. It was one of those occasions when the middle of the front row was pole position, though I suspect others, particularly front left, will have found some of the sightlines challenging.
The acting style is very film noir with lines ending in mid-air as rhetorical questions or speculative statements, with a few laughs, occasionally seeming a touch tongue-in-cheek. The performances are all good, particularly Mark Strong as Don and Elizabeth Debicki as Mona.
It’s good to see this rarely staged genre at the NT and all of the components are first class – writing, design, performance and staging – but I’m afraid they don’t add up to more than the parts, so it’s only a partial success for me.
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