The third and last of my cheapskate January catch-ups, and you can certainly see where your ticket money goes with this one. Bob Crowley’s set and Gregg Barnes’ costumes are the star of the show, though you’d be forgiven if you decided to wear dark glasses.
The surprise of this Disney animation-to-stage show is the tongue-in-cheek humour, albeit largely broad and corny. Alan Menken’s score is rather good too, though there are only a dozen songs, half of which are reprised. Other than that its a pretty bog standard recycling of the age old tale, an eighteenth century French addition to the Middle Eastern folk tales Arabian Nights.
The big number is Friend Like Me, in an extraordinarily designed cave where they throw absolutely everything at it in a truly slick, spectacular scene that seemed in itself a homage to musical theatre, with added pyrotechnics. On a smaller scale, the magic carpet ride of its most famous song A Whole New World was indeed magical and you really couldn’t see how it was done.
Trevor Dion Nicholas has great presence as the Genie and terrific, cheeky audience engagement when he breaks the fourth wall. Matthew Croke is a fine romantic lead and has great chemistry with Nicholas. It’s a fine supporting cast whose sense of fun seemed completely genuine.
It’s only panto with a mega-budget, but it’s very well staged and performed and I was glad I caught up with it, though there’s more joy at the Hackney Empire panto.
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