I’ve always thought this was Oscar Wilde’s best play, largely because it has more bite than his other social satires and because the themes of corruption, honour and morals are with us forever. Peter Hall’s 1992 production proved its enduring appeal on tour in the UK, on Broadway and in and out of the West End several times. It’s the third of the four plays in Dominic Dromgoole’s Classic Spring season, and it brings the season alive.
Mrs Cheveley, recently returned from Vienna, attempts to blackmail politician Sir Robert Chiltern, threatening to make public a letter proving he leaked information to enable someone to gain by the timely acquisition of shares, unless he speaks favourably in parliament about a project she and her friends have a vested interest in. She embroils his wife, a former school friend who takes a moral stance, and his friend Viscount Goring, a bit of a playboy with designs on Chiltern’s sister and ward, who tries to wrong-foot her. It’s very well plotted and littered with clever, witty lines from the second most quotable playwright, after Shakespeare.
I loved Frances Barber as the manipulative Mrs Cheveley, relishing her Machiavellian scheming, and I was very impressed by Freddie Fox as Viscount Goring, a role that fits him perfectly. Having his real dad Edward Fox play his stage dad gave the father and son sniping an added frisson. I haven’t seen Sally Bretton on stage and I wouldn’t have expected this to be her sort of role, but she plays Lady Chiltern really well. It’s a big supporting cast, most of whom we only see in the first act, within which it was lovely to see Susan Hampshire as Lady Markby. As with the previous two plays, there’s music between scenes, this time with Samuel Martin, Viscount Goring’s footman, playing Jason Carr’s music superbly on violin.
Simon Higlett’s versatile gold set is beautiful and his costumes gorgeous. Jonathan Church’s staging gave the play more edge and pungency than I remember. The whole production oozes quality and propels the season to another level altogether.
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