A lean month as I spent three weeks of it out of the country…..
Contemporary Music
Musical theatre performers and audiences seem to love Scott Alan’s songs (though he’s never written a musical, yet), so I thought I’d give his song cycle The Distance You Have Come at the Cockpit Theatre a go. It was well sung and played but it was too generic for me, lacking variety, light, shade and colour. Preforming it in the round also affected audience engagement as a lot of the time performers were singing to others rather than you.
David Byrne’s O2 Arena concert exceeded my expectations. With a bare grey stage surrounded on three sides by a giant grey bead curtain, through which musicians entered and left, twelve people dressed in matching grey suits ‘wearing’ their instruments around their necks, no amps mics or leads in sight and just lights to add colour and shadows, it was visually stunning. The fast paced combination of old material with Utopia tracks was brilliant. A treat.
Opera
I first saw suffragette Ethyl Smyth’s opera The Wreckers in concert at the Proms 24 years ago, so it was thrilling to finally see it staged by Arcadian Opera in the Roxburgh Theatre in Stowe School. Even though the chorus were local amateurs and it was a scratch orchestra, the musical standards under retired opera singer Justin Lavender, who sang the leading role of Mark at that Proms concert, were very high.
Classical Music
The Nash Ensemble’s lunchtime recital at LSO St Luke’s featured British chamber music and song written immediately after WWI, five pieces by five composers I like, none of which I’d heard before. It was the first of three called War Embers.
Dance
Birmingham Royal Ballet’s double-bill Fire & Fury at Sadler’s Wells featured two contrasting works, one a reimagining of 14-year-old Louis XIV mid-seventeenth century dances and the other inspired by a Turner painting. Gorgeous designs, live music and fresh choreography all contributed to making it a treat.
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