This 1995 play by Jonathan Harvey somehow passed me by when it was first staged at the Donmar, despite the fact he’d been on my radar since the first outing of Beautiful Thing, his most enduring play, a couple of years earlier, so this revival at Above the Stag (which isn’t any more) was a good opportunity to catch up with it.
Liverpudlian brothers Shaun and Marti, ten years apart, had until recently been estranged for seven years, since Shaun, the younger of the two, was sixteen in fact. Until then they had been very close, Marti a surrogate dad. We eventually learn the reason for the estrangement. They both now live in London and the play takes place in the bedsitter Shaun shares with his girlfriend Juliet, currently away at her dad’s funeral in Barbados. Shaun has a mobile hairdressing business and Marti sells stretch covers, reverse stereotypes given Marti is gay. The other characters are English teacher George (girl) downstairs, on the rebound from ex Malcolm, who clearly fancies Shaun, mad-as-a-hatter Clarine / Zoe / Sharon upstairs and Dean / Fifi, Marti’s trans friend whose love is also unrequited.
All of these relationships play out in the one room, superbly designed by David Sheilds, in an intimate traverse staging by Steven Dexter which is at times a touch melodramatic but enthralling nonetheless. Harvey’s characters sometimes veer towards caricatures, but they are well drawn and here very well performed by Tom Whittaker and Hal Geller as the younger and older brothers, Phoebe Vigor and Amy Dunn, upstairs and downstairs respectively, and Myles Devonte as Dean.
This was my first visit to Above the Stag’s plush new under-the-railway space, much better than their two previous homes.
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