I’m always up for a Frantic Assembly show, forever inventive, each show unique. I’m well into double figures now. This one has arrived at Stratford East and it was a great pleasure to sit in a mostly teenage audience and hear their silence, the best tribute I can pay to this work about those returning home from conflicts.
It interweaves the stories of George returning from the First World War in 1918, Frankie from Afghanistan in 2013 and Nat from a camp for British refugees in Norway in 2026. having fled some sort of civil war at home. George comes home a hero to his loving wife Rose, eager to start a family, but shellshocked and struggling to shake off the horrors of his experience. Frank comes home in disgrace, accused of an act of vengeance, spurned by his parents, hounded by the press. Nat comes home to scenes of devastation and destruction, looking for his younger brother caught up in one of the rebel groups.
It’s got extraordinary pace and energy, set within, outside and on top of a revolving container designed by Andrzej Goulding, with a loud soundtrack and dramatic lighting creating the atmosphere. At first I thought the scenes too short to develop the three stories, but then you realise how enthralling Anna Jordan’s play was becoming as they unfolded in this way. I felt the future story was less well developed than the other two, and the 2013 one the most dramatic and compelling, but the evening as a whole was gripping and thought-provoking, sometimes harrowing. I found myself both in disgust of, and sympathetic to, Frankie’s story in particular.
Frantic Assembly’s house style movement and physicality lends itself well to these stories, which are thrillingly staged by Neil Bettles, with the help of four excellent performances from Jared Garfield, Joe Layton, Jonnie Riordan and Kieton Saunders-Browne, who play many other characters as well as the three protagonists.
The full house of young people cheered their approval; this is the sort of work that makes theatregoers for life. Whether you’re new to this company or not, you should catch it. It was a pleasure to bring up the average age. A lot.
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