Most 80-year-olds would celebrate such a milestone birthday with a meal, maybe a party, perhaps a holiday. Ian McKellen is celebrating his with a tour of a one-man show to 80 theatres the length and breadth of the UK, for more than 80 shows as they’ve been adding at some places due to the extraordinary demand, many in venues significant in his career, and all to fund projects of the theatres’ choice. From national treasure to hero in 80 steps.
At the Old Vic, a significant venue, they’re using the money to double the number of ladies loos and improve disabled access, and if you needed proof, you have to enter via temporary entrances and use portable loos. It would be enough just to offer support for such an initiative, but in return you get an enthralling evening of biography, anecdotes, and performance that made this vast theatre seem as intimate as a living room, such is the great man’s ability to engage and connect with an audience.
The first half is mostly biographical, from childhood through school and university, to his professional stage career. There are some nods to the big and small screen, indeed we open with the wizard himself, but its mostly stage. He brings things out of his travelling prop box to illustrate his stories. It’s often very funny, always interesting.
The second half is mostly Shakespeare, as he removes the plays from the box and takes them to a table as we shout out titles, stopping to perform scenes and tell tales of his experiences with some of them, acknowledging important people along the way. At one point he movingly names some recently departed colleagues, ending with Albert Finney, who died just ten days earlier, a few miles away, just three years older. There were many moments of rapt silence as we hang on every word of the bard spoken by a master.
As he finished, his eyes swept all three levels of the audience in a great arc, so we all left feeling a personal connection. Few people can communicate and captivate so well.
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