The resurgence of interest in Terence Rattigan’s plays seems to have focused more on the intense dramas, like The Deep Blue Sea. The Orange Tree Theatre now gives us the second of the rarer comedies, following French Without Tears four years ago. I thought that earlier play hadn’t aged well, but this one comes up sparkling and fresh.
It’s set in the London home of The Earl of Harpenden, a man without a family who’s about to marry the daughter of The Duke of Ayr & Stirling. The Earl likes a good time and befriends an American Lieutenant at one of his drinking sessions and invites him to stay. His partying friend Mabel, a bit of a vamp, also turns up. His fiancee Elizabeth visits with someone she’s befriended, a French Lieutenant. Both fall for Elizabeth, which sends the play along a sophisticated, hysterical, delightful path to its happy conclusion.
The Orange Tree is the perfect space to give the comedy intimacy and pace. All you need is a few bits of furniture, and in this case a superb ceiling feature, to create this bachelor apartment; well, Horton the butler as well, obviously. All seven performances in Paul Miller’s pitch perfect production shine. Notwithstanding the period it’s still set in, this seventy-six-year-old play feels so fresh. What must have been a tonic in war-time London, proves to be a tonic still.
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