So the Queen of ‘slow theatre’ has speeded up a bit, but for me she’s still going nowhere. My fifth Annie Baker play is a story about storytelling itself. It may be my last.
We’re sitting around a boardroom table where eight people are beginning a writing project, presumably for film or TV, probably a fantasy. Brian takes the notes. secretary Sarah pops in to check if they need anything and take lunch orders from fancy takeaways. They all look up to the boss, Sandy. There’s a vast quantity of Perrier water stacked up in boxes (product placement?), rather at odds with the likely environmental credentials of such folk. The ice-breakers include candid stories from their personal lives.
Danny M2 departs, unexplained but presumed fired. Sandy leaves to deal with family issues. They stay overnight, Sandy using a pending storm as an excuse to get them to stay. They brainstorm, but struggle to come up with ideas, until Adam downloads a big idea that Brian forgets to record, though it may be too late by now, as we learn when Sandy returns. They are all extremely pretentious and irritating and though it is intermittently funny, it’s often dull.
I think the point is that we may have run out of stories, but I didn’t really care. A fine set by co-director Chloe Lamford (with the playwright, interesting) and some good performances can’t really paint over the cracks in the material, and I’m afraid it all seemed rather pointless to me.
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