I’ve become fond of playwright David Ireland’s unique brand of black comedy since I was introduced to it six years ago at the Royal Court with Cyprus Avenue. This is the third I’ve seen since then, a short piece which started as ‘a play, a pie & a pint’ at Oran Mor in Glasgow earlier this year and has transferred to the Finborough, which staged the last one I saw just under a year ago.
Somewhere in small-town Northern Ireland Matthew prepares for a RADA audition, just after the funeral of his father. His Uncle Ray overhears and interrupts, offering to help, greeted with distain by Matthew. Uncle Ray is a middle-aged bachelor boasting of a long line of romantic, or at least sexual, conquests. Matthew is flip-flopping about going to the audition with his uncle insistent he does. As they talk, secrets are revealed and Ray may even have helped Matthew find something which will make him stand out from the audition crowd.
The dialogue is sharp and funny, often at the expense of Ray, but affectionately so. It’s delivered with authenticity, coupled with an impeccable comic timing by actors Matthew Blaney and Stephen Kennedy. Max Elton’s traverse staging, with two men around a kitchen table, has the sort of intimacy that draws you in to their world quickly. Given it’s only 50 minutes long, it’s surprising how much depth these characters have. It’s a much gentler, less surreal piece than Ireland’s previous work, but it’s a little gem that I would wholeheartedly recommend.
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