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Posts Tagged ‘Hamilton’

It’s like a ball of energy has landed on the Old Vic stage. This is a powerhouse of a show which exceeded my expectations and brought me and the rest of the audience to our feet cheering. Who’d have thought 100-year-old history could have so much impact.

Sylvia is of course Sylvia Pankhurst, sister of suffragette leader Emmeline. After initially working together as suffragettes, together with sisters Christabel & Adela, Sylvia forms a breakaway socialist group in East London and their paths diverge. Sylvia is a friend of Keir Hardie, leader of the fledgling Labour Party, and takes a more radical stance on the same issues as her sisters.

The show covers the whole campaign period, showing the different reasons for opposition to suffrage as well as the divisions within the movement. It’s as much about class as sex, with some of the opposition voices afraid that giving the vote to women will mean doing the same for working class men. The story zips along, in private and public, in parliament and on the streets, covering much ground. With more than a nod to Hamilton, the score by Josh Cohen & DJ Walde is contemporary, hip hop and soul, and it works brilliantly.

Most of it is in black & white, but when Keir Hardie appears we get a flash of socialist red, a lot more of it when we’re with Sylvia’s breakaway group. The costumes reflect the period. Ben Stone has created a terrific look. Sometimes I worry that creative tension will suffer if someone takes multiple roles. Here, Kate Prince excels as director and choreographer but she’s also responsible for the book and lyrics and I do wonder if the show would have benefitted from some additional musical theatre experience with these.

As far as performances go, Beverley Knight is the big draw here, and she is indeed excellent, but Sharon Rose in the titular role gives a real star performance. In a superb supporting cast, it’s great to see Alex Gaumond back on stage as Keir Hardy and Jade Hackett’s terrific cameo as Lady Jennie Churchill.

A very welcome new British musical.

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Musical theatre parody Forbidden Broadway has been running in NYC for thirty-six years in a large number of incarnations and has had two London runs in the last ten years, one even transferring to the West End. I think its a mark of respect that they’ve renamed this 2016 incarnation after the show they’ve built it around.

Morgan Large’s design is a mini-Hamilton set and cloned costumes. Most of the show contains numbers from Hamilton with new lyrics, performed by just five actors. The way they’ve structured it, about as well as parodying Hamilton, they are able to go off at tangents with references to writers like Sondheim and Lloyd Webber, spoofing their shows too, plus others like Wicked and Annie, and we even get a visit from a famous diva.

It’s great fun, but I do think the pace is relentlessly fast. Though I’ve seen Hamilton, and most of the other shows it parodies, even I couldn’t keep up, missing more than I was happy with. It’s faster than Hamilton, which is probably the point, but it’s at the expense of total comprehension. I wished it would have come up for air and given the audience a breather every now and again.

The five main performers – Marc Akinfolarin, Jason Denton, Eddie Elliott, Liam Tamne and Julie Yammanee – are all terrific, good enough to be in the show they are spoofing. There are lovely cameos from Damian Humbley, notably as Hamilton’s King George, and Sophie-Louise Dann, including that infamous diva. Simon Beck gamely and brilliantly accompanies on a grand piano. The energy and enthusiasm of all eight is infectious; you have a ball because they are.

Writer / director Gerard Alessandrini gives us a parody that is also a homage to a show he clearly loves, and a musical form he’s a big fan of. Great fun.

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