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Posts Tagged ‘The City Waites’

John Gay has a lot to answer for. In satirising 18th century opera, he invented the musical as we know it today (and even jukebox musicals, as his was a compilation of popular songs of the day) and it’s content was so controversial, it resulted in the introduction of theatrical censorship which continued for 240 years until just 43 years ago. He also made more money that a lot of contemporary musicals – the equivalent of £1m!

Lucy Bailey’s production for the Open Air Theatre is much darker and bawdier than any I’ve seen before, and somehow feels much more authentic. It’s another show (after Into the Woods and Lord of the Flies) that’s perfect for the venue too. Bill Dudley has created a superb death & torture location with gallows and stocks, brilliant period costumes and a Hogarthian front cloth to take you to the London of the early eighteenth century.

Macheath is a highwayman and womanizer, target of thief catcher Peachum and jailer Lockit, both of whose daughters he has bedded and proposed to (and in Lucy Lockit’s case impregnated). Along the road to his capture we seem to spend most of our time in bars and brothels with a surfeit of thieving, drinking, fighting and fornication. It’s a bit shocking today, so I dread to think what they thought of it 283 years ago!

It’s a great ensemble, expanded to 26 with the addition of students from E 15 Acting School with stand out performances from Jasper Britton and Janet Fullerlove as the Peachums, Oliver Hoare as their servant Filch and Beverly Rudd as both Lucy Lockit and Dolly Trull. They’ve cast singing actors rather than singers, which I think is right for the piece but doesn’t make for the best vocals. The playing of six piece ensemble The City Waites though is first class.  The choreography and fight direction of Maxine Doyle and Terry King is outstanding; you often went ‘ouch’ as you could virtually feel the punches and falls.

Another great night at the Open Air on another great night. Next stop Gershwin’s Crazy for You in a month’s time.

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