Posts Tagged ‘Tristan Sharps’

You can always rely on dreamthinkspeak to provide a curious and disorientating hour or so. This time in the Shorditch Town Hall Hotel where Margaret de Beaumont has lived for 60 years. It takes its inspiration from the story of the Duchess of Argyll, who spent her last years living in a hotel in the same way.

There were only two of us, and I soon lost the other one! Our first room was one of the hotel’s budget windowless rooms without bathroom. Simply furnished, there’s a mirror on each wall, one a two-way mirror looking into another room where there is a real woman, and the others showing video footage of three quite different scenes involving her. As we walk through many corridors and rooms these images recur and we encounter similar rooms from dolls house size to life-size. You are given few instructions and sometimes wait wondering whether to stay or move, and if so to where, but you eventually get into the rhythm of your wander and become brave enough to try doors and pop round corners. There is a coup d’theatre towards the end and things that have puzzled you begin to make sense.

It’s a disorientating but fascinating experience, perhaps a little too short to develop the character enough. The design of the space is stunning and I was left with questions until after I’d left that I think I resolved on the way home! In comparison with much of the work Tristan Sharps and his company have done, it’s smaller scale, more intimate and more mysterious. It’s hard to say more without spoiling it, so I won’t!

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Seven years ago I was wowed by a site specific show which took place in Scotland’s Register House in Edinburgh and dreamthinkspeak, the company responsible for it, instantly became one to follow. Two years ago they blew me away with a show based on The Cherry Orchard over six floors of a disused department store in Brighton. This one, part of the World Shakespeare Festival and originated at the Brighton Festival, is completely different but just as inventive and original.

You stand in a dark space surrounded on four sides by reflective screens. At various times, films and images are projected onto the screens and they light up to reveal 10 rooms, three of which change during the 90 or so minutes running time. Scenes from Hamlet are enacted in modern dress in bedrooms, a bathroom, dressing room, office, a large lounge which takes up one side of the space and a boat! The characters are from Hamlet – Gertrude & Claudius, Rosencrantz & Guildenstern, Polonius, Laertes & Ophelia and Hamlet himself (oh, and The Ghost of course).

The story is surprisingly intact, though it’s not the whole of the play in exact chronological order. You have to change where you look as the scenes unfold in different ‘rooms’ and at times you don’t know where to look as things are happening all over the place. At one point almost everyone seems to be doing the ‘To Be or Not to Be’ speech in different spaces, starting at different times and overlapping. At another point, there are three versions of Hamlet’s bedroom simultaneously, with Hamlet, Gertrude and Claudius each occupying one of them – Hamlet trashing it, Gertrude tidying it and Claudius searching it.

I don’t always like shows which mess around with classics (Katie Mitchell is the biggest culprit) but here you get the essence of the play even though you don’t get every word in the right order; but all the words are Shakespeares. Somehow, I got under Hamlet’s skin and fully understood how he felt as much, if not more, than any other production of the play. It was compelling, captivating and deeply satisfying.

Tristan Sharps staging, with design collaborator Robin Don, is impeccable. Technically, it’s a masterpiece. The performances are uniformly good. Edward Hogg had all the intensity you expect of Hamlet. Ruth Lass & Phillip Edgerley were superb as Gertrude and Claudius. Michael Bryher & Stewart Heffernan (any relation to John?) were playful and funny as Rosencrantz and Gildenstern and Richard Clews, Ben Ingles and Bethan Cullinane were a passionate trio as Polonius, Laertes and Ophelia. Thorston Manderlay’s Ghost stalked the proceedings atmospherically and occasionally scarily.

Apart from Globe to Globe, the World Shakespeare Festival has disappointed me so far, but this raises the bar with something sparklingly original that is brilliantly executed. If you’re interested in Shakespeare, you’d be bonkers to miss it.

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